For Immediate Release:
MIDAMERICA PRODUCTIONS PRESENTS
PIANIST GIL SULLIVAN
AT WEILL RECITAL HALL, DECEMBER 10, 2007 AT 8:00 PM
New York, NY - MidAmerica Productions proudly presents acclaimed Australian pianist
Gil Sullivan at Weill Recital Hall, December 10, 2007 at 8:00 PM in a
concert featuring works by Beethoven, Chopin, Julian Cochran, Miriam Hyde, Liszt, and
Mozart.
Monday, December 10, 2007 at 8:00 PM
Gil Sullivan, piano
Beethoven: Sonata No. 32 in C Minor, Op. 111
Chopin: Polonaise in F-sharp Minor, Op. 44
        Polonaise in A Major, Op. 40, No.1 ("Military")
Julian Cochran: Mazurka
Miriam Hyde: Brownhill Creek in Spring
       
    Valley of Rocks
Liszt: Hungarian Rhapsody No. 6
Mozart: Variations on Les hommes pieusement (Unser dummer Pöbel meint) from
Gluck's La rencontre imprévue, K.455
This performance's piano provided by Sauter Pianofortemanufaktur
General admission tickets to Weill Recital Hall concerts are $35. Tickets may
be obtained by calling CarnegieCharge at (212) 247-7800, by going online at
www.carnegiehall.org, or by visiting the Carnegie Hall Box Office at 57th Street
and 7th Avenue. $15 tickets for students and seniors (with proper ID) are available at the Carnegie Box Office. Weill Recital
Hall is located at 154 West 57th Street. For more information, call MidAmerica Productions at
(212) 239-4699 or visit our web site at
www.midamerica-music.com.
***
"The finest interpreter of Mozart in the world" (Südhessen Woche) is how European newspapers once
greeted international concert pianist Gil Sullivan on a concert tour there. Their acclamations
continued: "It is hard to believe that just one person could so convincingly make the piano sound
like a full orchestra" (Darmstadter Echo). "There were so many magical moments...even
Brahms himself would have been impressed" [of the 2nd Brahms Sonata] (Weinheimer Nachrichten).
"Not just another pianistic wizard, but a cultured and refined musician, whose rare and insightful
vision into the very soul of the music cast a magic spell over the entire concert hall"
(Badische Zeitung).
In Australia, critics have been equally enthusiastic: "Playing informed by brilliance of tone and
accuracy...invariably placed at the service of the music" (The Australian). "...Sullivan's
digital athleticism made a lot of noisy sparks fly with a spontaneity that is all too often lacking from
live performance these days..." (The Advertiser). "Sullivan's interpretation of Beethoven's
'Emperor' concerto is one of overall directness and command...authority and flair...with sensitive
rubatos and a fine tonal range" (Music Maker).
Mr. Sullivan tours extensively, both internationally and throughout Australia. He performs regularly in
Asia, Europe, and the United Kingdom, and on his first tour of the United States several years ago,
every recital was greeted with a standing ovation. He has given recitals in the Vietnam National Opera
House; the National Concert Halls of Thailand, Taiwan, Hong Kong, and Korea; and in December 2007 will
give his New York debut in Carnegie Hall. Throughout each year, he also performs as both soloist and
conductor—often conducting from the keyboard—with orchestras such as the Thai Chamber
Orchestra, the Adelaide Chamber and Arts Orchestras, the Melbourne Pro Arte, and the Darwin and City of
Fremantle Symphony Orchestras. His repertoire of concertos ranges widely from Mozart to Rachmaninov,
Brahms to Malcolm Williamson. He has recorded concertos by Tchaikovsky and Schumann for CD with the
West Australian Symphony Orchestra.
After distinguishing himself in studies in Adelaide, he travelled to Europe for short study periods with
world-renowned pianists—Murray Perahia in London, and Paul Badura-Skoda in Vienna. He records and
broadcasts frequently for the ABC's National FM Radio, and Hong Kong Radio 4.
His five-program recital series in 2006 of the complete piano sonatas of Mozart, during the 250th
anniversary of Mozart's birth, confirmed Mr. Sullivan's reputation as a major interpreter of the music.
One of the only pianists in the world who plays the entire piano works of Mozart, he continues to
research, perform and record rarely played or published works by Mozart. His recordings of the complete
sonatas will be released internationally on CD this year on ABC Classics.
In 1997, he celebrated with the rest of the music world in the centenary of the death of Johannes
Brahms. Performing a five-concert series of all-Brahms recitals—which included all three piano
sonatas, many of the solo variations and miscellaneous works, plus chamber and two-piano works—all
five concerts were broadcast over live national FM radio. Critic Roger Knight wrote "Throughout, the
playing was marked by a singular degree of coherence, continuity, and lucidity which underpinned Mr.
Sullivan's well-honed skills as a colourist," while Raymond Chapman-Smith wrote "...in every phrase,
Sullivan's impassioned and deeply considered approach to music is, in every way worthy of attention and
devotion...engrossing, fully engaging the listener in his concentrated and complex interpretations that
sought the very essence of the music."
In his travels around the world, Mr. Sullivan, as a chamber player, has performed with members of the
Berlin, Vienna, and London Philharmonic Orchestras; Munich Chamber Orchestra; Medici String Quartet; and
Australians Jane Peters, Georg Pedersen, Paul Wright (The Ensemble of the Classical Era), and Michael
Goldschlager (Macquarie Trio).
In addition, Mr. Sullivan is a distinguished and enthusiastic teacher, whose teaching positions and
residencies include the Seoul Art School in Korea; Chiao Tung University in Taiwan; Hanoi Conservatory
in Vietnam; The Hong Kong Institute of Education; TAFE in South Australia; University of Western
Australia; the Western Australian Academy of Music; Charles Darwin University; the Victorian College of
the Arts; and the Elder School of Music. He has also lectured at London's Royal Academy of Music and the
Royal Scottish Academy of Music and Dance, and has given his Mozart lecture-recital at Oxford
University. Moreover, for three years he reviewed for the London-published International Journal for
Music Education, which enjoys a readership of some 50 countries.
For more information, please contact David Dutkanicz at 212-239-0205 or
ddutkanicz@midamerica-music.com